For 10 years, I've waded through the ever-churning ocean of Indian cinema. Big-budget spectacles, intimate indies, heart-wrenching dramas – I've seen it all. Yet, nothing quite prepared me for the sheer audacity of "Kalki 2898 AD".

This sci-fi epic, directed by the visionary Nag Ashwin, isn't just a film; it's an event. It's a gamble that's paid off in box office gold, raking in over ₹1,000 crore worldwide as claimed by the film's producers Vyjayanthi Movies in an Instagram post. But beyond the commercial success, "Kalki 2898 AD" forces us to confront a central question: is it a genuine cinematic achievement or a spectacle fueled by VFX?

A familiar mythos, a distant future

The film takes a deep dive into Hindu mythology, weaving the narrative around the prophesied 10th avatar of Vishnu – Kalki. Set in a ravaged future of 2898 AD, Earth is a desolate wasteland. Here, director Ashwin paints a believable picture of a dystopian world – crumbling megacities choked by pollution and a desperate struggle for resources.

Enter our heroes – a ragtag group led by the charismatic (and ripped) Prabhas. Their mission: to protect the reincarnation of Kalki, believed to be the key to humanity's salvation. The supporting cast boasts legends like Amitabh Bachchan and Kamal Haasan, lending gravitas to the narrative.

https://www.youtube.com/watch?v=kQDd1AhGIHk
Kalki 2898 AD Trailer - Hindi

Visual spectacle vs storytelling soul

Let's be honest, the film's biggest draw is its visual effects. The action sequences, particularly the spaceship battles, are a sight to behold. The recreation of a desolate future Earth is both awe-inspiring and unsettling. However, spectacular visuals can only take a film so far.

Here's where "Kalki 2898 AD" stumbles a bit. The narrative, while engaging, feels stretched thin at times. The emotional core, particularly the bond between Prabhas and Deepika Padukone's characters, could have been fleshed out further.

A watershed moment for Indian sci-fi?

Despite these shortcomings, "Kalki 2898 AD" is undeniably a landmark film. It proves that Indian cinema can compete with Hollywood on a visual level. The film's success will surely inspire more ambitious sci-fi ventures in the future.

https://www.youtube.com/watch?v=1BEPDAGR39o

The final verdict

The casting of "Kalki 2898 AD" is a star-studded affair, boasting some of Indian cinema's biggest names. Prabhas, the reigning king of Telugu cinema, brings his signature charisma and action prowess to the role of Bhairava. Amitabh Bachchan, a legend of Indian cinema, lends gravitas and wisdom as the immortal warrior Ashwatthama. Opposite them is Kamal Haasan, another titan of Indian cinema, who portrays the ruthless Supreme Yaskin. Deepika Padukone delivers a powerful performance as SUM-80, the pregnant woman at the center of the prophecy. Disha Patani adds a dash of action heroine flair as Roxie, rounding out this impressive ensemble.

"Kalki 2898 AD" is a visually stunning film with a story that holds promise. While it might not be a flawless masterpiece, it's a sign of exciting things to come for Indian sci-fi. So, is it a celestial spectacle? Not quite. But it's a giant leap forward, and that's something worth celebrating.

Who is Kalki?

Kalki, also called Kalkin, is the prophesied 10th and final incarnation of the god Vishnu. He is described as appearing in order to end the Kali Yuga, one of the four periods in the endless cycle of existence (Krita) in Vaishnava cosmology.

What is Kalki's avatar?

Kalki is described in the Puranas as the avatar who rejuvenates existence by ending the darkest and destructive period to remove adharma (unrighteousness) and ushering in the Satya Yuga, while riding a white horse (Devadatta) with a fiery sword. The description and details of Kalki are different among various Puranas.

Who is playing the role of Kalki in Kalki 2898 AD?

The interesting thing about Kalki 2898 AD is that the role of Kalki isn't played by a single actor. The film is set in a future where Kalki is yet to be born. The story revolves around protecting the unborn child of Deepika Padukone's character, SUM-80, who is believed to be the prophesied Kalki.

When will be Kalki born?

It's important to understand that Kalki 2898 AD is a work of fiction and doesn't depict a real prophecy about Kalki's birth. The movie takes place in the year 2898 AD, and the story revolves around protecting the unborn child believed to be Kalki. This suggests Kalki's birth likely happens sometime after 2898 AD within the movie's universe. However, Hindu scriptures don't provide a specific date for Kalki's arrival. The Kali Yuga, the current age, is believed to last for 432,000 years, and some estimates place the beginning of Kali Yuga around 5,125 years ago. With that timeline, Kalki's arrival would still be far in the future.

Is Kalki 2898 AD a hit or flop?

Kalki 2898 AD is definitely a hit, not a flop. The film has grossed over ₹1,000 crore worldwide, making it one of the highest-grossing Indian films ever. The commercially successful "Kalki 2898 AD" might not be everyone's cup of tea in terms of storytelling, but its financial performance is undeniable proof of its success.

On which OTT will Kalki 2898 AD release?

Kalki 2898 AD is expected to be released on OTT platforms in early September 2024, around 10 weeks after its theatrical release on June 27. Prime Video India will feature it in regional languages including Telugu, Tamil, Kannada and Malayalam while the Hindi version is likely to feature on Netflix India.
This post first appeared on The Kashmir Pulse

The catalogue "Dark Endeavour" written by Ishrat Ashraf Malik is precisely the packet of poems, summaries and extracts. In fact, the edition primarily converses about the tales having a new tone that indeed reflects the identity of the character who survives within different environments. The author actually articulates the various odds that a person faces during survival.

At birth, the author has emphasized the lines bountifully by capturing the theme of the mighty personalities of every creature, the issues and trends, the tranquillity of souls and the day-to-day sighs of society.

In the opening pages of the book, the author has immensely jotted down the role of mother and father. In Qur'an, we have been directed to be good to our parents (Al-Isra 23) and the author has tactfully tried to pen down the importance of being good to our parents. Agreeing with the author, both mother and father are gifts from Almighty Allah.

In this edition, the author addresses suicide and suicidal thoughts. Though suicide seems a little word but taking life in the addressed direction is not easy. Suicidal thoughts have their own effect beyond the imagination as it does not only affect us physically but mentally also. Let's spend our time with our family and friends, let's show some empathy, let's love each other unconditionally, let's devote ourselves to our Lord and let's find a solution together.

In the book if we talk about the features that the author has used, we need to notice that the use of words is soft, every reader can grasp the message of each and every write-up. The messages are showing honest reflections. The author has created an amalgam of themes in a single vase. Sometimes, the author has painted the write-ups with religious themes and somewhere the write-ups reflect the naturalist moods of the author. Like this, every page is having numerous advice, guidance and counselling for a good reader. Some glimpse is as under:

Combined families like delebrations,
If we can, all day like celebrations.
Live together like a family,
Left all pains and be frankly.
It was in past, not in present
Mow it's half and decent.

From the above mentioned stanzas of "Society", Miss Ishrat clearly mentioned that the status and fame are the biggest tools for standing for humanity, it doesn't matter how, who we people are, but being a voice to each other and standing behind every pain and problem is humanity.

The mission is the same for all but together it will be rated as a credential for deeds. Singularity can gain the worth of wealth but support, motivation, positivity and honesty will spread the knowledge of consciousness!

Similarly, in the poem "Youth", she tries to explain the role of youth for the prosperity and success of a nation.

Beautiful voices around us,
Not sure, but cheers up.
See the mountains, fill with ice peaks,
Found lonely and lessons teach.
Can silent prayers help us there,
Find peace of soul and go from here.

In this poem, Miss Ishrat addresses the beauty of "Kashmir" and the pain at the same time. The snow-clad summits take our breath. Kashmir seems a wonderful place but it hides treasures of agony. And all we feel is agony and agony all over again.

Kashmir displays a wonderful scene, behind the scene is quite a troublesome pain, suffering and tribulations. This book definitely helps you to come out from the trauma, as she writes:

Life is a trust,
Don't waste it on drugs
Your existence is so precious.
And let fulfil your life with fruitful.

From the aforementioned quotation, Miss Ishrat attempts to explain that time is very precious. She advises us that we must take advantage of time and never use it in an inappropriate way to repent later.

In this book, the writings not only reflect her way of thinking in a simple and creative way but also motivate teens to love themselves. She tries to explain that life is a journey packed with love and inspiration. In life, there's no requirement of weeds, too good to begin with, and life has the potential to lead us further than drugs, so get the drugs out before it blows us out of life.

The more we utilize, the less we survive. We have no time to deal with drugs, we have no time for narcotics and we don’t have time for meds because our lives are important and our life matters.

The book "Dark Endeavour" has an interesting fact that can help an individual to overcome depression, anxiety and various unordered matters. It's important to mention here that the poet has not left any stone unturned to put all efforts to display a picture framed with various suggestions that may be helpful in every aspect of life.

I will give it 3-star rating to the book and it seems to be necessary to go through this book in order to make life's environment favourable.


Book: Dark Endeavour

Genre: Open

Author: Ishrat Ashraf Malik

Publisher: Serving Publication

Year of Publication: 2022

ISBN: 979-8806236648

Pages: 50

Price: ₹250 / $3.22 (Approx.)

This post first appeared on The Kashmir Pulse

Locking Down The Poor is merely evidence of the biggest humanitarian crisis after partition by their own government which failed to tackle the situation and plunged a population of 1.3 billion into nationwide lockdown within less than four hours of notice.

Harsh Mander is one of India’s most trusted and courageous social justice and human rights activists. He also has served as Special Commissioner to the Supreme Court of India in the Right of Food campaign. Mander is also the author of several acclaimed books on contemporary India including Looking Away: Inequality, Prejudice and Indifference in New India; Partitions of the Heart: Unmaking the Idea of India etc.

On the night of March 24, 2020, the country’s Prime Minister announced a nationwide lockdown due to COVID-19, giving the population of over 1.3 billion less than four hours notice and imposing the world’s longest and most stringent lockdown with no or smallest relief packages and pushed them to the brink of starvation.

Locking Down The Poor: A result of Mander’s groundwork with “Karvan-e-Mohabbat”

Mander’s groundwork with “Karvan-e-Mohabbat” helped him to write tragic incidents which he witnessed himself while working with a vulnerable group of people during and after lockdown.

Mander in his book brings us accounts of out-of-work daily wagers and informal workers, the homeless and the destitute, all overwhelmed by hunger, helplessness, humiliation and dread: from the highways and the overcrowded quarantine centres and stories of migrant workers who walked hundreds of kilometres to reach their homes.

Mander's Locking Down The Poor - The Pandemic and India’s Moral Centre is written in lucid language so one can understand easily the callousness of the government policies. The book includes 12 chapters that all depict the ground realities in a well-articulated and organized manner.

Mander combines the hard data and life stories he went through during his excellent work on the ground as a social worker of his NGO "Karvan-e-Mohabbat" who facilitated lakhs of people with mid-day meals and other facilities when the government couldn’t provide relief to the poor people and the destitute ones. It’s merely a joke to maintain social distancing where people live in slums, shanties and where families of five to six members live in one room and do not have separate washrooms as well.

He writes, “A young woman with listlessness baby at her hip speaks into the camera held by my young colleagues who are interviewing people affected by the lockdown. She addresses Prime Minister Modi and Chief Minister Kejriwal. 'Is this the state you want to reduce us to?' she asks them piercingly. Another woman says, 'We fear we are fated to die. They say this Corona illness will go on for a year. They will later say we died of Corona, but actually would have died of hunger.'"

"Residents of both settlements tell us that as summer is peaking, drinking water is becoming as scarce as food. There has never been a water supply of any kind in either settlement or public tap. In Majnu ka Tila, they usually carry water in plastic containers from outside an apartment building a kilometre away, and in Tughlakabad, they beg the driver of the tanker that comes to water the trees lining the main avenue for some water. This has become near impossible now; the police chase them back, often thrashing them with their lathis for violating 'Modi ji's curfew'. Bathing even occasionally has become a challenge, and washing hands frequently, of course, was out of the question even before the lockdown."

While reading the book, tears flow from my eyes, and heartwrenching incidents are mentioned in the book. To wash your hands properly, you need at least two litres of water. Where there is a scarcity of water to drink, how could you wash your hands with water? People couldn’t afford soap, how they could buy handwash and sanitisers?

The Muslim community also was targeted by the government as they allegedly spread the infections of Corona in India. Mander writes, “The flames of hate against Muslims lit by the tenor of official briefings, amplified by hysterical media reports and biased television debates, then engulfed the entire country, their spread aided by the loyal trolls of social media including members of the infamous BJP IT Cell."

"A flood of fake videos was unleashed on the internet, depicting Muslims deliberately smearing vegetables and fruits with their saliva, spitting into the food served in restaurants and coughing into the faces of other people, all with the intent of infecting non-Muslims. 166 Hashtags like #CoronaJihad, #BioJihad and #TablighiJamaatVirus began to circulate and trend."

"Two researchers, Soundarya Iyer of the French Institute of Pondicherry and Shoibal Chakravarty of the Divecha Centre for Climate Change at the Indian Institute of Science found 11,074 stories published from 271 media sources with the term "Tablighi Jamaat' from March 20, 2020, to April 20, 2020. Their analysis noted that the words that frequently appeared alongside 'Tablighi' and 'Jamaat' were 'Coronavirus', 'Delhi', 'lockdown', 'violating', 'crime', 'spitting', 'terrorist' and 'jihad'. Even a leading newspaper like the Times of India, the country's largest-selling English daily, carried as many as 1863 stories of the Tablighi Jamaat in these five weeks, which were shared 3,19, 921 times on Facebook."

"These stories fed into an epidemic of Islamophobic fake news and hate speech," they wrote in The Hindu BusinessLine. This was 'exploited for the production of misinformation and hate'.

This book is a critique of the callousness approach of the government and its unequal approach to society. Locking Down The Poor is a poignant book written in lucid language, which is absolutely a good read.

The flap of the book is well-designed and somewhat unique. The book looks good but the paper quality could have been better at the price this book is selling for.


Book: Locking Down The Poor

Genre: Non-fiction/Current Affairs

Author: Harsh Mander

Publisher: Speaking Tiger Books

Year of Publication: 2021

ISBN: 978-9389958751

Pages: 240

Price: ₹399 / $5.30 (Approx.)

This post first appeared on The Kashmir Pulse

William Shakespeare's 'Hamlet' is a masterpiece in literature, and Vishal Bhardwaj's 'Haider' will be talked about in the same vein as one such artistic product in cinematic history. Without mincing many words, this adaptation is no less than Vishal's earlier credible works such as 'Maqbool and 'Omkara'. With 'Haider', the trilogy of Vishal's homage to Shakespearean tragedies is complete, in every sense of the word!
Filmmaker Vishal Bhardwaj is an exceptional auteur, who knows how an underrated actor (read Shahid Kapoor) will rise above all! Set in the backdrop of the beautiful valley of Kashmir, the director has made sure your eyes move with every frame of the camera panning or zooming in. If the viewers are expecting to see exotic landscapes, then you are in for a toss. This time it's eerie, dark and chilling. Possibly, there can never be a better setting than the turmoil-hit Valley for 'Hamlet'.
The auteur (after this I have to refer him as one), has built up the plot very carefully, intrinsically weaving in the Shakespearean tragedy into it. Shahid aka Haider, comes back from Aligarh, after completing his studies and what is he left with? An old, broken house in Islamabad (don't be surprised, another name for Anantnag is Islamabad), and a wishful desire to find where his 'abbuji' has disappeared. The plight of people in the valley, who have disappeared or are dead (who knows) has been focused upon.
Haider's father, Dr Hilal Meer (here played by Narendra Jha) is a doctor in the Valley, who helps in treating a militant, and then bears the brunt of it, like many in the past. His wife Ghazala Meer (played by Tabu) has many layers in her character, some have been explored while some were left untouched. It was a pleasure watching the magnificent actress, bring out the best in her (and no doubt, she ought to be in 'National School of Drama', like Haider said).
In his quest of searching for his father, Haider gets to know something which rips his soul—his uncle Khurram Meer (played by Kay Kay Menon) has his eyes set on Ghazala. The moment he comes back and watches the 'playful song-dance' duet between the two, his first outburst occurs. It's then we know—Haider loves his mother, but can't forgive. The undertone of 'oedipus complex' between Tabu and Shahid's character is played well by the filmmaker, keeping in taste of the Indian audience.
The use of Kashmiri dialect by most of the characters makes the screenplay very realistic. It's good to see Shahid speak in the local language (at least some words). The role-play of Ophelia in the original play was somebody who loved Hamlet immensely and was his weakness too. Here actress Shraddha Kapoor aka Arshia has perfected her broken English (quite common, if you happen to be a Kashmiri). 'I have lov-ed you more than my life' evokes laughter but the scene actually ignites the soul of the lead character in the film.
Undoubtedly, 'Haider' will be recognised as Shahid's career-best performance. Also, how can we miss to mention the two Salmans in the movie. The Bollywood buffs are the only comic relief in the entire film. Dialogues by Vishal Bhardwaj are well-written, especially the one where he compares 'chutspah' to AFSPA (quite innovative).
Cinematographer Pankaj Kumar had done a brilliant job in reprising the Kashmir of 1995 for the audience. It is incredible how Vishal has shown the darkness that exists within the human psyche, putting it frame-by-frame in connection with the outward beauty of the Vale. Actor Irrfan Khan has only a few moments on screen this time, but he has made sure—his weight is more in the dialogues and his strong screen presence.
Irrfan (Roohdar) appears before interval, and in all white—the darkness is again evoked but in a white symbolism. He is somebody who bares all before Haider and tells him what the truth is—his ulterior motives remain ambiguous. The crookedness in his eyes or a slight limp in his walk, all add up to the characterisation well taken from Shakespeare.
The background music is enchanting, and the songs too will leave a mark. 'Bismil Bismil' by Sukhwinder Singh should not be mistaken as just a song in the film. All those who have read the play would know, how important that entire enactment is for the plot. Yet again, Vishal has done a good job in using the traditional 'Bhand Pather' to enact the entire mystery by Haider. Even 'Aao Na' by Vishal Dadlani has a reason behind it.
[review] [content title="Summary" label="Rating"]After watching 'Haider', all that can be said is that—It is a perfect example of how many have suffered in the Valley and are just left with the question—'To be or not to be'![/content] [item value="9"]Story[/item] [item value="9"]Screenplay[/item] [item value="7"]Dialogues[/item] [item value="8"]Cinematography[/item] [item value="7"]Music[/item] [/review]

Ritika Handoo

The author works for an Indian news channel

Jammu & Kashmir has been a subject of great dispute between India and Pakistan soon after the partition of the country. Although Hilal Ahmed has written a book on Realities Behind Kashmir Problems, the present book "The Great Disclosures - Secrets Unmasked" unfolds the history of Kashmir dispute from the beginning as well as analyses the basic problems which have rendered the entire issue into an enigmatic, complex and most puzzling subject for the people as well as the leaders of India and Pakistan.
Hence in plain and simple words the book essentially provides a detailed study of the history of Kashmir issues relating chiefly to the struggle of the Kashmiri people for what the author calls a "fair and just settlement of the dispute".
The entire book pivots round the subject revealing the attitude of different sections of the people towards the issue, the purpose of the Hindu ruler of the State, the wishes of the Muslim subjects of the place, the attempt of Pakistan at what it calls "enabling Kashmiri people to exercise their choice for their right to plebiscite" and the attempt of India to maintain the right of the country by keeping the state as an integral part of India.
In Focus
To add to all these, the author has also revealed the role of the external agents like UN and foreign countries like America, Russia, China and other powerful countries of the world.
The author, however, focuses on the various organisations who take recourse to violence and terrorist activities in order to achieve their demand for self determination and independence of their state. While unfolding the secrets and clandestine activities of these agents, the author also reveals the country's anti-insurgent agencies which add a new problem to the entire issue.
The issue acquires new dimensions when we find that the leaders of Kashmir take different roles in the entire drama; while some leaders appear true to their stand, other leaders like Yasin Malik and others who, while vouchsafing for their people, secretly help the other protagonists in order to achieve their self-centred wishes and personal gains. This adds a new dimension to the entire issue which, therefore, remains unsolved till date, although more than seventy years have elapsed.
The book, acquires further value, when the writer discusses the various internal political problems of India and Pakistan which were directly or indirectly linked with the problem. Such events as Gandhiji's murder, Indira Gandhi's murder, Ayub Khan's plan and Janta Dal's role in Indian politics have been recorded revealing their close relevance to the Kashmir problems.
Similarly the author appears to be obsessed with the role of Mufti Sayeed, whom he has painted as a wolf in the garb of ship in the drama of Kashmir problem. His allegation that Mufti Sayeed had indirect role in the murder of Rajiv Gandhi appears rather far-fetched and fabricated.
Here it may be noted that the declaration of the author on the flap of the cover page of the book that it reveals the secrets of the murder of Jinnah, Nehru and others appears to merely sensitize the issue, chiefly because when he narrates the death of Jinnah or Nehru, he fails to provide sufficient and convincing evidence to the cases of their death which he calls assassination.
Similarly his narration of Jamiat-ul-Mujahideen's plan and attempt to murder Dr. Farooq Abullah, in which the author was to play a vital role, again lacks in cogent and convincing evidence.
The author while unfolding the history of Kashmir, takes recource to narrate a few episodes that add much interest to the entire book. For example, the story of kidnapping of Mufti Sayeed's daughter Dr. Rubiya Sayeed is full of interest as narrated below:
Consequently, one night, in the first week of December 1989, a secret meeting was held, at the residence of the then Director General of Police, J&K State, Ghulam Jeelani Pandit, in which Mian Sarwar, Yaseen Malik, and Doctor Guru participated. According to this secret plan, Dr. Rubiya Sayeed, the daughter of Mufti Mohammad Sayeed, the then Home Minister of India, would travel by a public transport Matador van, from L.D. Women's Hospital, Srinagar, where she was on duty, as a Doctor, on Internship.
Similarly the story of Maqbool Bhatt adds a good deal of suspense to the event:
The mysterious hanging and burial in the jail premises, has created reasonable doubts, whether Maqbool Bhat was actually hanged-till-death, or it was a mere stage show, and the grave, shown as the grave of Maqbool Bhat, was fictitious and a 'mock grave'.
At the same time his account of the execution of Z.A. Bhutto in the following passage is quite astounding:
Alarmed by Bhutto's popularity, the Zia regime wasted no time to get Bhutto involved in a concocted 'murder case', which ultimately ended in Bhutto being sentenced to death, through the Pakistan Judiciary - which started at the Trial court, and ended at the Supreme Court…..
Similarly the story of General Zia's killing is quite revealing of the inner secret:
By a careful and foolproof planning, Murtaza Ali Bhutto ultimately succeeded in blowing up the aeroplane (C-130 Transport Aircraft) on 17th August, 1988, by planting a powerful mango-shaped time bomb, which was carried into the plane, in a basket of special mangoes, presented to General Zia, by way of gifts, just before boarding the aircraft. Thus, General Zia met the punishment, which he deserved, for becoming a tool of the American C.I.A., and for killing Zulfiqar Ali Bhutto, and frustrating his 'National Agenda'. In this plane crash, 30 persons died, including two Americans, Ambassador Arnold L. Raphel and Brig. General M. Wassom, the Chief American Military Attache in Pakistan.
But the book acquires great significance when the author reveals the game played by America in helping the arms insurgency to drive out the Russians from Afghanistan. His account of the USA in playing a double game as narrated below gives a correct picture of the case:
Thus, America used the Islamic World, through General Zia, for getting rid of the Chief of the Communist Bloc, and thus, become the 'only Superpower in the world'. America considered the Communist Bloc, as well as the Islamic World, as the two foremost enemies of its global interests. Therefore, America formulated a policy of exploiting the religious sentiments of the Islamic world, against the irreligious, anti-religion and materialistic philosophy and ideology of communism. For realizing this objective, the C.I.A. created various Islamic organizations, such as Jamaat-e-Istemi, Ikhwan-ul-Muslimeen and others. Millions of Dollars' were being spent lavishly, for aiding and funding these Islamic organizations, to wage a worldwide ideological crusade, in the name of Islam, against Communism, and its social, economic and political order and system. After disintegration of the Soviet Russia, U.S.A. started diverting its attention and policies, towards preventing the possible formation of a mighty Islamic Bloc, with nuclear capability.
The book, however, acquires an added value and significance when the author states some harsh and bitter facts regarding the roles of the leaders of two countries. Hence he rightly observes on General Zia's conduct:
In fact, General Zia's Military regime exploited religion, for its own purpose. Islamization was used to legitimise the regime that came to power through a Military coup. He was also used by America, to convene a Special Islamic Conference, against the then Soviet Russia, to support Diplomatically and Materially, the War waged by the Mujahideens (crusaders) in Afghanistan, to drive out Russia, and put an end to the 'Puppet Government' in that country.
Here it is important to note that his comment on Islam as a religion and the way it has been misused is quite relevant as stated in the following words:
Unfortunately, the clean and bright image of Islam has been distorted by various International Agencies, and its teachings have been misinterpreted and misrepresented, before the world community. Nowadays, a campaign has been started, to present Islam as a 'terrorist religion', by vested interests and anti-Muslim forces, in spite of the glaring fact that, Islam is the religion of peace, security, justice and righteousness. The letter and spirit of the teachings of Islam, is fully in conformity with the principles and concept of humanity, good deeds and the service and emancipation of the down-trodden human beings, without any kind of discrimination.
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Bibhuti Pati
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